Abstract Expressionism

1943–1965

New York replaced Paris as the center of art. Painting as action (Pollock), as meditation (Rothko), as primal gesture (de Kooning).

Industrial paints, house paint, enamel. Enormous canvases on the floor. Color field painting — pure chromatic experience.

4 artists24 colors

Pollock

1912–1956

American

Drip painter. Laid canvas on floor and poured enamel paint in rhythmic gestures — painting as performance.

Industrial enamel and house paint poured/dripped. Aluminum paint for metallic luminosity. No traditional brushwork.

Pollock (Basic Art)Further reading: Pollock (Basic Art)Leonhard Emmerling
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de Kooning

1904–1997

Dutch-American

Painter of violent energy — the Women series shattered figure and ground into torrents of paint.

Mixed media — oil, enamel, charcoal. Scraped, wiped, reworked obsessively. Flesh tones mixed with house paint.

Willem De Kooning (Basic Art Album)Further reading: Willem De Kooning (Basic Art Album)Barbara Hess
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Pigments: Cadmium red · Ochre · Lead white · Cadmium yellow · Cobalt blue · Cerulean blue

Frankenthaler

1928–2011

American

Inventor of the soak-stain technique — paint thinned to water-like consistency and poured onto raw canvas.

Thinned oil paint poured onto unprimed canvas — paint soaks into fabric, becoming one with the support. Color IS the painting.

Fierce Poise: Helen Frankenthaler and 1950s New YorkFurther reading: Fierce Poise: Helen Frankenthaler and 1950s New YorkAlexander Nemerov
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Pigments: Alizarin crimson · Viridian · Cadmium yellow · Sienna · Ultramarine · Cobalt violet

Rothko

1903–1970

Latvian-American

Painter of luminous color fields that evoke the sublime. His chapel in Houston is a secular sacred space.

Multiple thin glazes of oil and egg tempera on huge canvases. Edges of color rectangles are soft, breathing. Late works darken toward black.

RothkoFurther reading: RothkoJacob Baal-Teshuva
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Pigments: Cadmium red · Cadmium yellow · Ultramarine · Alizarin crimson · Cobalt blue

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