Latin American Modernism

1920–1980

Guayasamín's anguished hands, Tarsila's tropical abstraction. Latin America inventing its own modernism from indigenous and European roots.

Oil, fresco, industrial paints. Bold color informed by tropical light and Pre-Columbian art.

2 artists12 colors

Ecuadorian

Painter of suffering hands and anguished faces. The Age of Wrath — Latin America's pain made monumental.

Cubist-influenced forms with Expressionist palette. Earth tones with vivid accents. Hands as primary subject.

GuayasamínFurther reading: Guayasamín — Generalitat Valenciana (catálogo de exposición)

Anguish red

Andean earth

Clenched fist ochre

Despair black

Quito sky blue

Bone white (Guayasamín)

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Pigments: Vermilion · Cadmium red · Ochre · Umber · Sienna · Cadmium yellow · Lamp black · Cobalt blue · Cerulean blue · Lead white

Brazilian

Mother of Brazilian modernism. Abaporu — the figure that launched Antropofagia. Tropical geometry in bold, flat color.

Clean, flat areas of bold color. Influenced by Fernand Léger and Brazilian folk art. Smooth, poster-like surfaces.

Tarsila do Amaral: Inventing Modern Art in BrazilFurther reading: Tarsila do Amaral: Inventing Modern Art in Brazil — Stephanie D'Alessandro and Luis Pérez-Oramas (Yale University Press)

Abaporu blue

Tropical green

Terra roxa

Brazilian sun

Antropofagia flesh

Mandacaru green

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Pigments: Ultramarine · Cobalt blue · Cadmium yellow · Emerald green · Viridian · Ochre · Sienna · Chrome yellow · Lead white · Chrome green · Lamp black

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