Symbolism
1880–1910Art as portal to dreams, mythology, the unconscious. Color freed from representation to serve mystical vision.
Moreau's jewel-encrusted surfaces. Redon's pastels on black paper. Personal, anti-naturalistic palettes.
Gustave Moreau
1826–1898French
Painter of mythological visions with jewel-encrusted surfaces. His studio became the Musée Gustave Moreau.
Built up thick, encrusted surfaces with palette knife — gemstone-like texture. Gold paint and metallic pigments.
Gilded myth
Salomé's blood
Sphinx emerald
Opal violet
Encrusted pearl
Odilon Redon
1840–1916French
Master of the dreamlike. Early noir charcoals gave way to explosions of pastel color — flowers, butterflies, cosmic visions.
Unique pastel-on-black technique — brilliant color emerging from darkness. His late pastels are the most luminous in 19th-century art.
Noir charcoal
Dream turquoise
Cosmic violet
Butterfly yellow
Bouquet pink
Cyclops eye blue