Mexican Muralism

1920–1960

Rivera's encyclopedic narratives, Orozco's anguished fire. Public art as revolutionary education.

True fresco, encaustic, Pyroxylin (industrial lacquer). Monumental scale on public buildings.

2 artists12 colors

Diego Rivera

1886–1957

Mexican

Master muralist. Encyclopedic narratives of Mexican history — from Pre-Columbian to industrial revolution.

True fresco technique learned in Italy. Earth-toned palette with vivid accents. Monumental scale — Detroit Institute, Palacio Nacional.

Diego Rivera, 1886-1957: A Revolutionary Spirit in Modern Art (Taschen Basic Art)Further reading: Diego Rivera, 1886-1957: A Revolutionary Spirit in Modern Art (Taschen Basic Art) — Andrea Kettenmann

Rivera earth

Fresco blue

Corn yellow

Calla lily white

Indigenous skin

Machine grey

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Pigments: Ochre · Sienna · Ultramarine · Cobalt blue · Lime white · Cadmium yellow · Zinc white · Umber · Lamp black

Mexican

The darkest muralist. Prometheus on fire, soldiers in agony — suffering without redemption.

Near-monochrome palette in most powerful works. Fire and flesh against darkness. More expressionist than Rivera.

José Clemente Orozco: An AutobiographyFurther reading: José Clemente Orozco: An Autobiography — José Clemente Orozco (trad. Robert C. Stephenson)

Prometheus fire

Ash grey

Agony flesh

Revolutionary black

Blood-soaked earth

Bone white

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Pigments: Cadmium red · Cadmium yellow · Lime white · Lamp black · Ochre · Sienna · Umber · Bone black

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