Dutch Interior Light
1650–1680Domestic counterpart to Rembrandt's drama — light through windows, on tiles, on bread and polished surfaces.
Oil on canvas/panel. Scientifically observed light — behavior through glass and on varied surfaces.
Johannes Vermeer
1632–1675Dutch
Painter of light itself. Unprecedented precision in capturing how illumination falls, diffuses, reflects.
Camera obscura for optical observation. Pointillé technique. Expensive pigments: ultramarine, lead-tin yellow.
Further reading: Vermeer (Basic Art) — Norbert SchneiderPigments: Ultramarine · Lead white · Lead-tin yellow · Ochre · Bone black · Vermilion
Pieter de Hooch
1629–1684Dutch
Master of light through doorways into successive rooms. Warmer palette than Vermeer.
Recession of light through space — warm foreground, cool middle, bright doorway background.
Further reading: Pieter de Hooch 1629-1684 — Peter Sutton (Yale University Press)Pigments: Ochre · Sienna · Lead white · Lead-tin yellow · Umber · Azurite
Jan Steen
1626–1679Dutch
Painter of chaotic households and moral comedies. Warmer, messier than Vermeer's stillness.
More saturated palette than other Dutch interior painters. Sunlit, messy, alive.
Further reading: Jan Steen: Painter and Storyteller — H. Perry Chapman, Wouter Th. Kloek, Arthur K. Wheelock Jr. (Yale University Press)Pigments: Vermilion · Red lead · Ochre · Orpiment · Lead-tin yellow · Umber · Lead white · Green earth · Verdigris · Lamp black
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